ÃÈÁÎÇÅÓ... ÍY ÂULLETIN ÂOARD HAS BEEN MOVED TO A DIFFERENT COMPUTER AND RENAMED TO BE A SUPPORT ÂÂÓ FOR THE MAGAZINE. ÉT NOW HAS ACCESS THROUGH ÆIDONET MAIL AND THE ÎATIONAL ÃÂÍ ÅCHO AS WELL AS TELEPHONE. ÔHE ÂULLETIN ÂOARD WILL GIVE FULL ACCESS TO MAGAZINE SUBSCRIBERS AND CONTRIBUTORS WHO REQUEST IT. ÉT WILL GIVE GUEST ACCESS TO ALL OTHERS TO LOOK AROUND. ÌOCAL USERS WILL CONTINUE TO HAVE A LIMITED ACCESS. ×ÈÏ ÅÌÓÅ... ×E STARTED WITH ÊUST ÓTEVEN AND É AS STAFF AND HAVE ADDED ÇAELYNE AS EDITOR. ×E ARE AT PRESENT LOOKING FOR PEOPLE WHO WOULD LIKE TO WRITE REGULAR ARTICLES OR COLUMNS OR EDIT SPECIFIC AREAS. ÆOR EDITING SPECIFIC AREAS WE WOULD GIVE PREFERENCE TO SOMEONE WITH ACCESS TO ÆÉÄÏ NET MAIL. ÇUESS THIS NOW COMES DOWN TO ME. ÊACK ÖANDER ×HITE, OR MORE PROPERLY ÁLFRED ÊOHN ÖANDER ×HITE ÉÉÉ. ÈAVE USED ÊACK FOR 56 YEARS SO GUESS É'M STUCK WITH IT. ×ORKED 12 YEARS FOR ÕNITED ÐRESS ÉNTERNATIONAL AS ÂUREAU ÁSSISTANT, PHOTOGRAPHER, ÂUREAU ÍANAGER, WRITER, EDITOR, TECHNICIAN. ×ORKED 7 YEARS FOR ÔHE ÓACRAMENTO ÂEE AS AN EDITORIAL PHOTOGRAPHER. ÏWNED ÉMAGE ×EAVERS ÐUBLISHING ÃOMPANY AND ÂOOKSTORES FOR SEVERAL YEARS UNTIL É SOLD OUT. ÈAVE WORKED IN ÃHARITY FIELD FOR THE LAST FEW YEARS. ÓTARTED IN TELECOMMUNICATION IN 1956 WHEN IT WAS BY TELETYPE AND CODE TAPE. ÉN THOSE DAYS A FAX MACHINE WAS HUGE AND A PORTABLE PICTURE TRANSMITTER WEIGHED IN AT 120 POUNDS. ÐORTABLE TRANSMITTERS WENT DOWN TO 40 POUNDS AND É WAS OVERJOYED. ÒIDING ALONG IN A CAR ONE DAY OUR CHIEF ENGINEER TOLD ME HE WAS WORKING ON A NEW PORTABLE THAT WOULD BE THE SIZE OF A PORTABLE TYPEWRITER AND É COULD WEAR IT IN A SHOULDER BAG. É THOUGHT HE WAS NUTS. ÁFTER ALL, WE HAD ALREADY TRANSISTORIZED THE MACHINES AND WERE USING PLUG IN BOARDS. É THOUGHT WE HAD REACHED THE LIMIT. É'VE NEVER REPEATED THAT MISTAKE AS É HAVE WATCHED EVERYTHING SHRINK SMALLER AND SMALLER. ÂEFORE É LEFT, THE TELETYPE OPERATORS WERE GONE. ÓTORIES AND MESSAGES WERE SENT FROM DESK TOP TERMINALS. ÔHE DARKROOM PEOPLE WERE GONE. ÐICTURE RECEPTION AND TRANSMISSION WERE AUTOMATIC. ×ITH LASERS YET. ÍÏÖÉÎÇ ÁÌÏÎÇ... ÍOST OF WHAT'S ON THIS DISK IS FROM FILES É CAPTURED HERE AND THERE. ÒEWROTE. ÃOMBINED. ÐUT INTO TEXT FILES FOR ÂÂÓ USERS. É CAN'T EVEN REMEMBER THE SOURCE OF MUCH OF IT. ÈOPE É DIDN'T VIOLATE ANY COPYRIGHTS. ÔHE PROGRAMS ARE FROM ALL THREE OF US AND TWO FROM ×ILL ÃORLEY. ÔHE GRAPHIC LOGO IS FROM ÓTEVEN AS ARE THE MAJORITY OF THE PROGRAMS. ÔHE MENU SYSTEM IS ONE HE WHIPPED TOGETHER FOR THIS DISK. ÈE PUT IN A LOT OF NEAT FEATURES. Á SEQUENCE READER AND PRINTER. ÐROGRAM DESCRIPTIONS. ÏTHER LITTLE GOODIES. ÈE'S GREAT AT PROGRAMMING, BUT ALMOST IMPOSSIBLE AT TURNING ANYTHING LOOSE AS A FINISHED PRODUCT. ÈE DOESN'T BELIEVE IN PUTTING SOMETHING OUT AND THEN MAKING A REVISION LATER. ÔHATS WHY THE ÖISIONPAINT PROGRAM WAS IN TEST FOR WELL OVER TWO YEARS BEFORE HE RELEASED IT. ÏN THE OTHER HAND HE ISN'T THE GREATEST DOCUMENT WRITER IN HISTORY. ÔHAT'S WHY É'M THE EDITOR AND HE'S THE PROGRAM EDITOR. ×E SORTA COMPLEMENT EACH OTHER. ÅVERY TIME É TRY TO WRITE A PROGRAM WE WIND UP ON THE PHONE SO É CAN PICK HIS BRAIN TO DEBUG WHAT É WROTE. ÁÎÄ ÔÈÅ ÐÉÔÃÈ... ÉN A SEPARATE FILE YOU'LL FIND THE SUBSCRIPTION BLANK AND ADDRESS AND STUFF LIKE THAT. ÉF YOU LIKE WHAT YOU SEE , SUBSCRIBE. ÉF YOU'RE NOT SURE, AT LEAST MAKE A COPY AND PASS IT ON OR UPLOAD IT SOMEPLACE. ÓO ENJOY LIFE AND É WILL TYPE AT YA AGAIN IN THE NEAR FUTURE. ÂE SURE TO WRITE AND TELL US WHAT YOU THINK AND WHAT YOU WOULD LIKE TO SEE. ÙOUR INPUT WILL BE GREATLY APPRECIATED. ***************************************************************************** ÂÕÌÌÅÔÉÎ ÂÏÁÒÄ Ã64 ÁÌÉÖÅ ÂÂÓ (916) 395-9733 ÆÉÄÏÎÅÔ ÁÄÄÒÅÓÓ: 1:203/999